In the main temple there are wall murals depicting the twelve deeds of the Teacher; the twenty-fiveintimate students of Guru Rinpoche; the twenty-five yoginis of natural freedom; Nupchen Sangye Yeshe (the sovereign among the upholders of mantra in the Land of Snows) and the lamas in the three great mainstream transmissions of The Sutra of the Unity of Enlighened Intent (Do Gongpa Düpa), The Tantra of the Magical Display (Gyutrul Drawa), and the mind teachings; the lord protectors of Rinpoche’s 1 crown chakra Khyenste Rinpoche and Tulku Orgyen Chemchok in the center of the lamas of the Nyingtik lineage; Terchen Tsasum Lingpa, Terchen Pedgyel Lingpa, and the rest of the lineage lamas of the earlier and later terma cycles; Terchen Drimed Lingpa and the rest of the successive incarnations of the Gochen Tulkus; and in addition, the thirteen deities of the Namchak cycle The Means for Accomplishing the Enlightened Mind of the Lama: The Spontaneous Fulfillment of Wishes (Tukdrup Sampa Lhündrupma) cycle with the Three Roots and dharma protectors. 

On the middle story of the temple, above the head of the Teacher, are depictions of the twelve Dzogchen teachers.

To the rear of the middle story, on the right side is the Chamber enshrining the supports for the dharma protectors named Rapjik Utsala Düdpung Zilnön Ling (“Utterly Terrifying Place of Ustala, Overwhelming the Hordes of Maras with Splendor”). Within this are the murals depicting the three guardians of the Longchen Nyingtik and Namchak cycles—the mamo Ekajati, the planetary deity Rahula, and the oath-bound Damchen Dorje Lekpa—as well as the entire host of dharma protectors, principally the five classes of dharma protectors. On the left side is the palace of Jambhala, named Gödöd Künjung Ling (“Place of the Source of All that is Needed and Wanted”). Within this are the murals depicting Ratna Toetreng and Drapa Ngönshey’s terma revelation of Red Jambhala, Chögyal Dorje’s of White Jambhala, Drimed Lingpa’s of Yellow Jambhala, Vaishravana, Nagaraja the guardian of termas, and others—a treasury of wealth deities of the Three Roots, as well as supports for prosperity.

At the pinnacle on the upper floor is the temple of Amitayus, named Chimed Ngadrey Zhing-kham (“Pure Realm of the Drumbeat of Immortality”). Within this are depictions of the primary deity—the lord protector Amitayus—with the host of deities of the Namchak cycles Overwhelming the Lord of Death with Splendor (Chidak Zilnön) and Longevity Practice: The Iron Knot (Tsedrup Chakkyi Gyadüd), as well as those of The United Intent of the Three Kayas (Kusum Gongdü) and the lineage lamas and custodians who have upheld the Namchak tradition. 

To summarize, aiming solely at Buddhist teachings to be restored and to flourish and endure, Tulku Sangn-ngag Rinpoche has commissioned mural paintings of those widely painted according to general history, but also of figures that have never been traditionally depicted, such as the yoginis of natural freedom. In this way Tulku Sang-ngag Rinpoche has created a new tradition, emphasizing such rare cases.